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Call to Artists: Un-monument | Re-monument | De-monument

Last updated:

UPDATE: The Call for artists is now closed. Stay tuned for an artist selection announcement!

With the support of the Mellon Foundation, we’re commissioning temporary public art projects throughout the entire City that engage and explore how we tell our stories through monuments, in a format that is free and accessible to the public. 
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Project details

Don't miss any important information! Please read the full Call to Artists.

The Mayor’s Office of Arts & Culture (MOAC) searched for proposals from artists or artist-led teams for new temporary monuments, as well as “un-monuments” that transform public places to reflect the city’s cultural vibrancy in dialogue with Boston’s collection of existing monuments.

Across the nation, communities have been in the process of asking themselves how we should tell our stories through monuments. Here, in Boston, we have made significant changes to our commemorative landscape by:

  • Planning for new artworks that fill some of the gaps in our storytelling,
  • Deinstalling works after extensive community organizing and public meetings,
  • and commissioning temporary artworks and murals to support artists creating works that are socially responsive and experimental.

With that momentum, we want to take a creative approach to our discourse on monuments, centering community, artists, and experimentation through temporary art, interpretation and education, public talks and engagement events.

Artists are uniquely suited to pose difficult questions, challenge misconceptions, and question misrepresentations as they embrace different ways of thinking and provoke looking at our monuments and what they represent anew.

With the support of the Mellon Foundation’s Monument Project, we are collaborating with partners across the City, who have been deeply engaged in this work for years. Together, we are now in the process of commissioning transformative art and monuments and planning free public talks and events.

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Are you eligible?

This Call was open to all professional artists—local, national, and international—with a strong preference for those with experience in public art, site responsive design, project management, and community engagement

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What we're funding in this round

Potential artworks could include but are not limited to:
  • Temporary sculptural installations and interventions
  • Murals and re-creation or restoration of existing murals*
  • New media, including augmented reality 
  • Social practice and community-engaged cultural practices
  • Other, including interior installations or performances visible and/or audible freely to passersby in the public realm

*With permission from or in collaboration with the original artist, if it’s not you.

Site criteria
  • Projects may take place in any City of Boston diverse neighborhoods. 
  • Projects may take place on public or private property, if accessible.
  • Artworks must not interfere with the accessibility of sites or public safety. For example, no art should be proposed to impede public movement through pathways, streets, or bike lanes. 
  • Artworks must be removed and the site restored to previous condition.
  • No existing masonry or infrastructure at the site can be impacted by the temporary installation. No installation should be done in a manner that negatively impacts vegetation including tree canopy or critical root zones. Proper protection should be taken to prevent any damage caused by equipment necessary to install and remove the installation.
Step
1

Watch the Q&A Session

We held virtual Q&A sessions on Wednesday April 10, 2024 at 12 p.m. and 6 p.m. ET on Zoom. You can now watch the Zoom recording or read our FAQ document.

Q&A Session Recording

FAQ document

Step
2

Gather Your Application Materials

  1. Artist Description
    • Bio, resume, CV, or other documents that describe the artist’s background and experience. For teams, include information for all team members. Please name a lead artist for the application process. Five files maximum; PDF, DOC, or DOCX.
  2. Project Partners
    • Please share the bio, resume, CV, or other documents that describe any non-artist project partners’ background and experience. For teams, include information for all team members.
  3. Project Year
    • Propose temporary public art for 2024 or 2025.
  4. Project Medium
    • Please select the medium that best describes your project: Sculpture, mural, new media , social practice, or other.
  5. Statement of Interest and Initial Project Concept
    • Narrative describing an initial artistic concept, why you’re interested in this opportunity, what connection you have to the site and/ or neighborhood you propose, and any specific or unique processes you might use for the project. 
    • In this section, you should show us that your proposal shows consideration of the neighborhood, physical site, and related social and cultural history; informs Boston’s public art landscape and dialogue going forward; and is socially responsive and transforms public space to reflect the city’s cultural vibrancy, including the people, ideas, histories, and futures of Boston.
  6. Community Engagement Plan
    • A description of your community engagement approach for the project and site(s) you propose.
  7. Project Site
    • Projects may be proposed for public or private property but must be free and publicly accessible.
  8. Proposal Permissions or Plans for Permissions
    • Please indicate whether the site owner or any other important stakeholder has approved your proposal and, if they have not, share a plan for attaining their support and approval. 
    • All artist selection is pending property-owner approval of proposal, installation and de-installation plan, and proof of insurance.
  9. Relevant Work Samples
    • Up to ten images of completed past work that you feel is relevant to this proposal. 
    • One image per file; jpg, tiff, or MP4 file types; limit videos to two minutes or less. 
  10. Visual Concepts (Optional)
    • In addition to the initial written project concept, you have the option to include up to five initial visual concepts. 
    • One image per file; jpg, tiff, or MP4 file types; limit videos to two minutes or less. 
  11. Annotated Image List
    • An Annotated image list with title, media, dimensions, location, date, brief description, your role in the project (lead, assistant, etc.) and any other information that might be relevant. PDF, Doc, or DOCX.
  12. Budget Tiers
    • We are looking for artist-led temporary art proposals in four project tiers: under $9,999, $15,000-$30,000, $30,000-$60,000, $60,000-$100,000. MOAC expects to allocate the majority of grants to the Under $9,999 tier.  
      • Applications requesting under $9,999:
        • Applicants in this budget tier must explain how they will spend the grant funds, but a detailed spreadsheet is not necessary
      • If selected, grant recipients in this grant tier will not be required to sign a formal grant agreement. 
      • If selected, grant recipients in this grant tier will be able to receive their grant payment upfront in a lump sum. Invoicing will not be required. 
    • All applications requesting $10,000 and above:  
      • Applicants in these budget tiers must provide a detailed budget narrative, as well as a proposed budget spreadsheet. 
        • Your budget must cover everything needed to bring your project to life, inclusive of but not limited to: all artist fees and costs associated with project requirements including administration, labor, research, designs, engineering, community engagement materials and sessions, meetings and presentations, fabrication, supplies, equipment, travel, transportation, transport of work to the site, installations, insurance, permits, and documentation. Limited technical support will be provided.
    • If your project is awarded partial funding, a revised budget will be requested.

All response and information submitted in response to this Call to Artists are subject to the Massachusetts public record law, Mass. Gen. Laws c. 66, s. 10, and Mass. Gen. Laws c. 4. s. 7(26), and will become property of the City. 

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Submit your application

  • Call released: Friday, March 29, 2024, at 4 p.m. ET
  • Call closed: Tuesday, April 23, 2024, at 5 p.m. ET
    • Please note that this opportunity will open again in 2025 for new applications.

About the program

Program Goals

How can monuments illuminate opportunities for conversation and community creativity, providing multiple opportunities for constituents to pause, and deepen public engagement with the building of collective histories? 

As we consider our commemorative landscape, our city reflects on histories and peoples not memorialized, those who have been silenced, or are absent from the landscape of memorialization. By commissioning a diverse range of artists working across various media and art forms at prominent and unexpected sites throughout the city, we aim to facilitate broader expressions of storytelling that bring forward an understanding of the interconnections between monuments, public memory, and our daily lives. 

Throughout this multi-year initiative, the broader program will encapsulate touchpoints across partnerships with with the Hutchins Center for African and African American Research at Harvard University, Emerson Contemporary, the Pao Arts Center, the National Center for Afro-American Artists, the North American Indian Center of Boston, Now+There, Embrace Boston, Massachusetts College of Art and Design, and the Friends of the Public Garden , community talks and dinners, two open call opportunities for artists looking for short-term commissioning proposals and AR workshops, as well as the formation of a Transformative Art and Monuments Advisory Team to provide community-thought partnership to advise on the Un-monument project at large.

We encourage you to thoroughly explore the details and consider the project that aligns most closely with your interests, experience, and creative vision.

About the Transformative Public Art Program

The Transformative Public Art Program was established to provide artists with a platform to engage in experimental, short-term projects across various media that could be developed simultaneously alongside other long-term commissions. 

As part of a City-led initiative to activate Nubian Square around the opening of the Bolling Building, the Mayor's Office of Arts and Culture commissioned eight short-term projects in 2014 to supplement the City’s  first capital long-term public commissions for the aforementioned municipal building.

After the success of short-term activations in tandem with the long-term capital commissions, the program was designated as the Transformative Public Art Program. The time scale and naturally iterative process of the program allows makers to investigate pressing issues of the now in a format that develops and evolves with the needs of our artists and our publics, resulting in a multi-faceted and diverse range of artworks and approaches.

In this iteration of the Transformative Public Art Program, we look forward to welcoming your proposals that approach the notion of monument across all artistic practices and disciplines. 

About Mellon Foundation Grant

The Mayor’s Office of Arts and Culture received a $3,000,000 grant from the Mellon Foundation’s Monument Project to support community and curatorial partnerships, new temporary commemorative installations, and related public art programs in 2024 and 2025. As part of the award, five community curatorial collaborators are commissioning monument-related temporary public art installations alongside the City’s Transformative Public Art program commissioned through this call to artists.

The Monuments Project is an unprecedented multi-year commitment by the Mellon Foundation that is aimed at transforming the nation’s commemorative landscape to ensure our collective histories are more completely and accurately represented. Launched in 2020 as a $250 million initiative—and doubled in 2023 to $500 million—the Monuments Project supports efforts to express, elevate, and preserve the stories of those who have often been denied historical recognition, and explores how we might foster a more complete telling of who we are as a nation. The Foundation’s commitment to the Monuments Project reflects both the urgency and the gravity of fostering more complete and inclusive storytelling of who we are as Americans.

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