Erin Genia, Sisseton-Wahpeton Dakota, is a multidisciplinary artist, educator, and organizer, whose practice merges cultural imperatives, pure expression, and material exploration with the conceptual. She seeks to create a powerful presence of Indigeneity in the arts, sciences, and public realm to invoke an evolution of thought and practice that is aligned with the cycles of the natural world and the potential of humanity.
Genia earned an M.S, in Art, Culture and Technology from MIT, an M.P.A. in Tribal Governance from The Evergreen State College, and studied at the Institute of American Indian Arts. She was awarded the 2019 MIT Solve Indigenous Communities Fellowship. She received her first public art commission for “Resilience: Anpa O Wicahnpi” from the City of Seattle Office of Arts and Culture in 2017. Her work has been exhibited nationally and internationally, most recently at the Urbano Project, the Venice Biennale and the International Space Station. Erin is a 2020 Artist-in-Residence for the City of Boston.
Confronting Colonial Myths in Boston's Public Space
As part of her residency, Erin led a virtual panel series called "Confronting Colonial Myths in Boston's Public Space". In this two-part series, Indigenous leaders and artists speak about their work in the public realm, and address how symbols perpetuating colonial myths affect the lives of Indigenous people in the city and contribute to the public health emergency of racism.