Join us for Hidden Histories' In Conversation: Kameelah Janan Rasheed with Curator-in-Residence Dr. Leonie Bradbury. Rasheed’s latest project in Boston is a series of public poems displayed on billboards and public advertising locations across the city. Come listen and be in conversation with this incredible artist and hear about her practice of text-based art, animations and the moving image.

Join us for a spectacular event celebrating the launch of Emerson Contemporary’s public art exhibition Hidden Histories featuring art projects by Elisa Hamilton, Clareese Hill, Sue Murad, and Kameelah J. Rasheed. Artist will be present to discuss their unique works and visitors can partake in student led walking tours of the projects. Part of the City of Boston’s Un-Monument initiative to transform and expand Boston’s conversation around public art, monuments, and who should be memorialized and why.

Join us for the opening of Journey of Light: A 1975 Memory Field, led by artist Ngọc-Trân Vũ and the project team, on Sunday, September 28, 2025, from 6–9pm at Town Field Park in Dorchester. Experience an illuminated landscape of conical hats (nón lá), intergenerational stories, and large-scale projections that transform the park into a space of remembrance and reflection, part of the community-led vision for the 1975: A Vietnamese Diaspora Memorial. This special evening honors the Vietnamese diaspora and the war’s lasting impact on families and communities. Free and open to all, rain or shine, with bilingual Vietnamese interpretation and light refreshments provided. Bring your family and friends to share in this meaningful gathering!

Join Boston Public Art Triennial artist Nicholas Galanin and curator Tess Lukey ‘16 in conversation with Lisa Tung, MAAM Executive and Artistic Director. Offered in connection with MAAM’s current exhibition, Nicholas Galanin: Aáni yéi xat duwasáakw (I am called Land), this conversation invites us to consider Indigenous perspectives on kinship and artistic process; audience question and answer to follow. After the talk, head to MAAM to explore current exhibitions on view. 

In-Person and Virtual 

This event will be offered in-person as well as virtually via the Zoom webinar format. Select your attendance type when registering via Eventbrite. 

Meet the Speakers 

Examining the complexities of contemporary Indigenous identity, culture, and representation, Nicholas Galanin works from his experience as a Lingít and Unangax̂ artist. Embedding incisive observation and reflection into his oftentimes provocative work, he aims to redress the widespread misappropriation of Indigenous visual culture, the impact of colonialism, as well as collective amnesia. Galanin reclaims narrative and creative agency, while demonstrating contemporary Indigenous art as a continually evolving practice. Speaking through multiple visual, sonic, and tactile languages, his concepts determine his processes, which include sculpture, installation, photography, video, performance, and textile-based work. This contemporary practice builds upon an Indigenous artistic continuum while celebrating the culture and its people; Galanin contributes urgent criticality and vision through resonant and multifaceted works.

Nicholas Galanin (b. 1979, Sheet’ka (Sitka), Alaska) lives and works with his partner Merritt Johnson and their children in Sheet’ka (Sitka), Alaska. He earned a BFA at London Guildhall University (2003), an MFA at Massey University, Palmerston North, New Zealand (2007). Solo institutional exhibitions include Baltimore Museum of Art (2024-25); SITE Santa Fe (2023); and New York Public Art Fund (2023). Galanin will participate in Public Art Abu Dhabi (2024-25) and the Boston Triennial (2025), he is currently participating in the Toronto Biennial (2024). Public collections include Museum of Modern Art, New York, NY; Whitney Museum of AmericaN Art, New York, NY; and Los Angeles County Museum of Art, Los Angeles, CA.

Tess Lukey is an enrolled citizen of the Wampanoag Tribe of Gay Head Aquinnah and serves as the Associate Curator of Native American Art at the Trustees of Reservations, where she is based at both Fruitlands Museum and deCordova Sculpture Park & Museum. Her curatorial practice centers on the intersection of historic and contemporary Native American art, with a specialization in pre-20th-century materials. Lukey’s expertise also spans NAGPRA, Mayan art history, and folk art. She holds an MA in Art History with a minor in Museum Studies from the University of New Mexico and a dual BFA in Ceramics and Art History from MassArt.

Lukey has contributed to exhibitions at institutions such as the Museum of Fine Arts, Boston—including Collecting Stories: The Invention of Folk Art and A Little Bit of the Southwest—and curated recent shows at Fruitlands titled Across Boundaries Across Barriers, Place of Intersection: Survivance in the American West, and A Surreal Place: Sky Hopinka and Cannupa Hanksa Luger, which prioritize Indigenous-led interpretation. Her work is shaping new strategies for museums seeking to engage Native collections through community-driven frameworks.

In addition to her museum work, Lukey is an independent curator for the Boston Public Art Triennial (May 2025), a city-wide exhibition of over 15 public art commissions accompanied by hundreds of community-based programs. She is also a traditional artist, continuing the ceramic and basketry techniques of her Wampanoag heritage, reflecting her commitment to cultural continuity through both institutional and creative practice.

 

Join artist Audrey Watkins at the intersection of Newbury Street and Hereford Street from 11 a.m. - 3 p.m. on September 21, for Our Names, an interactive art project that asks, "Whose name would you put on a building?" Stop by to submit a name, pick up a card, and learn more about some of the figures currently named on the exterior of the Boston Public Library.

Join artist Audrey Watkins at the intersection of Newbury Street and Hereford Street from 11 a.m. - 3 p.m. on September 14, for Our Names, an interactive art project that asks, "Whose name would you put on a building?" Stop by to submit a name, pick up a card, and learn more about some of the figures currently named on the exterior of the Boston Public Library.

Join artist Audrey Watkins at the intersection of Newbury Street and Hereford Street from 11 a.m. - 3 p.m. on September 7, for Our Names, an interactive art project that asks, "Whose name would you put on a building?" Stop by to submit a name, pick up a card, and learn more about some of the figures currently named on the exterior of the Boston Public Library.

Ecosistema Urbano, Pao Arts Center, and the Greenway invite you to the opening celebration of PlanTable at Chin Park.  Bring the whole family to explore this unique installation that provides both a refuge from the heat for people, as well as pollinators also threatened by rising temperatures.  Enjoy climate and plant related interactive activities for all ages and meet the creators and partners of this project. 

Read more about PlanTable

Rain Date: Saturday, August 16 | 1:00 - 3:00 p.m.

Join us for a public conversation followed by a free public dinner.

In this upcoming discussion, Clint Smith and Juliet Hooker will explore the complex relationship between monuments and civic life, examining how these structures shape collective memory and identity. Together, they will navigate the tensions of commemoration and critique, questioning the role of monuments in promoting a more inclusive democracy. The conversation will encourage participants to reflect on the impact of public art in shaping societal values and the ongoing efforts to redefine civic spaces in ways that honor diverse histories and experiences.

Brandon M. Terry, the John Loeb Associate Professor of the Social Sciences at Harvard University will introduce the event.

Clint Smith is the #1 New York Times bestselling author of How the Word Is Passed: A Reckoning With the History of Slavery Across America, winner of the National Book Critics Circle Award for Nonfiction, the Hillman Prize for Book Journalism, the Stowe Prize, the Dayton Literary Peace Prize, and selected by the New York Times as one of the 10 Best Books of 2021. He is also the author of two books of poetry, the New York Times bestselling collection Above Ground as well as Counting Descent. Both poetry collections were winners of the Literary Award for Best Poetry Book from the Black Caucus of the American Library Association and both were finalists for NAACP Image Awards. He is a staff writer at The Atlantic.

Clint has received fellowships from the Andrew W. Mellon Foundation, New America, the Emerson Collective, the Art For Justice Fund, Cave Canem, and the National Science Foundation. His essays, poems, and scholarly writing have been published in The New Yorker, The New York Times Magazine, The New Republic, Poetry Magazine, The Paris Review, the Harvard Educational Review, and elsewhere. He is a former National Poetry Slam champion and a recipient of the Jerome J. Shestack Prize from the American Poetry Review.

Juliet Hooker is Royce Family Professor of Teaching Excellence in Political Science. She is a political theorist specializing in racial justice, Black political thought, Latin American political thought, democratic theory, and contemporary political theory. She has also written on racism and Afro-descendant and indigenous politics in Latin America. Before coming to Brown, she was a faculty member at the University of Texas at Austin. She is the author of several books, including: Black Grief/White Grievance: The Politics of Loss (Princeton University Press, 2023), Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos (Oxford, 2017), Race and the Politics of Solidarity (Oxford, 2009), and editor of Black and Indigenous Resistance in the Americas: From Multiculturalism to Racist Backlash, (Lexington Books, 2020). She has also published articles in a wide variety of journals, including: American Political Science Review, Political Theory, Theory & Event, Contemporary Political Theory, South Atlantic Quarterly, Politics, Groups, and Identities, Souls: A Critical Journal of Black Politics, Culture and Society, Latin American Research Review and Journal of Latin American Studies.

Seating will be provided but please feel free to bring blankets in case the chairs fill.